musings on Yellow Face

Why, when Black Face is deemed illegal is Yellow Face still OK in the United States? I hadn’t really thought about this until I heard about a play called Yellow Face.  I feel bad that I hadn’t been offended by past productions of Miss Saigon and even other plays and movies such as Breakfast at Tiffany’s and even Thoroughly Modern Millie where Asian characters are played by white actors and are sometimes blatantly made fun of in these plays. I used to think white actors had to play the roles of Chinese, Japanese , Vietnamese etc characters because the pool of actors didn’t have people of ethnicity to play those characters. But we do not dress up white actors in Black Face because the actor pool doesn’t have people to fill those roles.  In fact, we…including myself…wouldn’t even bat an eye at the use of Yellow Face.

Thoroughly Modern Millie

During the late 19^th and early 20^th century anti-Asian sentiments were expressed by politicians and writers. The pollutant stereotype began in 1850s California. Asians were viewed as alien and a threat to wage-earners, and a movement began that had the goal of making California racially pure. Newspapers called it “The Yellow Peril” ( Los Angeles Times, 1886). In the 1920s,  politicians responded with the

Japanese Internment Camp c1942

Japanese Exclusion Act and the American Immigration Act, limiting the number of Asian immigrants because they were considered an “undesirable race”. In 1942 approximately 110,000 Japanese-Americans were forced into internment camps 62% of which were American citizens.   Although we have moved past these extreme forms of racism towards Asian-Americans, Yellowface gives control of the depiction of Asians in popular culture to the dominant White culture which often leads to racist Asian stereotypes and caricatures (hello Miss Swan from Mad TV).

Racist Asian stereotypes in Film and TV and Theatre include:

• The non-threatening “Oriental” with his fortune-cookie wisdom. The character was usually portrayed by Caucasian actors in its many incarnations, but Asians have occasionally taken on the role; for example Pat Morita as Mr. Miyagi
• The silly Asian sidekick, with the buck teeth and 'rs' in place of 'ls'.
• The conniving evil Asian. Someone with deep mysticism and scheming ways. Murder and opium were favorites.
• The dragon lady. A sexually available/loose Asian woman who dared to try and be with the white man.
• Since the mid-1960s, the media has popularized an image of Asian Americans as the perfectly assimilated ethnic minority in the United States. This emergence of the model minority image let to a preoccupation among many Asian Americans with "good" stereotypes vs "bad" stereotypes.

Micky Rooney in Breakfast at Tiffany's

The 1961 film Breakfast at Tiffany's has been criticized for its portrayal of the character Mr. Yunioshi, Holly's bucktoothed, stereotyped Japanese neighbor. Played by Caucasian Mickey Rooney, Rooney wore Yellowface makeup to change his features to a caricatured approximation of a Japanese person.

In the 45th anniversary edition DVD release, producer Richard Shepherd repeatedly apologizes, saying, "If we could just change Mickey Rooney, I'd be thrilled with the movie." Director Blake Edwards stated, "Looking back, I wish I had never done it...and I would give anything to be able to recast it, but it's there, and onward and upward." In a 2008 interview about the film, 87-year-old Rooney said he was heartbroken about the criticism and that he had never received any complaints about his portrayal of the character.

Miss Saigon (1989–1999) is a West End musical, is loosely based on Madama Butterfly.

Miss Saigon

The setting of the plot is relocated to the 1970s Saigon during the Vietnam War, and Madame Butterfly's American Lieutenant and Japanese geisha coupling is replaced by a romance between an American GI and a Vietnamese bar girl. This musical has received criticism for what some have perceived as a racist or sexist overtone, including protests regarding its portrayal of Asian men, Asian women, or women in general.

The Engineer in Miss Saigon

Originally, Jonathan Pryce and Keith Burns, white actors playing Eurasian/Asian characters, wore eye prostheses and bronzing cream to make themselves look more Asian, which outraged some who drew comparisons to a "minstrel show". From April 1989 to May 1990, nearly 100 shows were produced under the agreement between Equity and the League of American Theatres and Producers, 33 of the shows, with 504 roles, had no ethnic minority actors and 12 other productions had only one or two ethnic actors.

Kinda makes you think of things differently, huh? Is this unethical? On the flip side, would it be racist for people of mixed ethnicity to play a White character? Is there such thing as White Face? What about other ethnicities? Are we compromising our artistic integrity?

Anywho, I am not looking to change the world, I just thought this was interesting to share. And since I am half Japanese this isn’t COMPLETELY totally cliché for me.

             

musings of a time waster

Check out this website for some premium time wasting. It is totes funny

http://grouchyrabbit.com/index.php

musings of a hopeless romantic

"The best love is the kind that awakens the soul and makes us reach for more; that plants a fire in our hearts and brings peace to our minds."
from the The Notebook

"I know you; I walked with you once upon a dream."
from the movie "Sleeping Beauty"

"You have bewitched me, body and soul, and I love and love and love you."
from the movie, "Pride and Prejudice"

I used to call myself a hopeless romantic. I could come up with super romantic date and proposal ideas that were worthy of any cheese-ball romantic comedy. I was/still kinda am addicted to the warm fuzzies you get from romantic movies.  But I then would be disappointed when I wasn’t treated as well as I thought I deserved to be. At the same time, I would try my hardest to live up to the fantasy girlfriend that I imagined my boyfriends wanted. With no fault of anyone but my own, I would be disappointed when the efforts weren’t returned. Was I expecting too much? Was I setting them up for failure? Was I right to want to be treated differently? Or is he still out there?  How do I get passed my own self and appreciate what I have, or rather, maybe stop over-thinking every situation. Or how do I k now when the battle is over and to look for that guy somewhere else?

Perhaps society has given me a disillusioned idea of what love is. I constantly feel pulled in a thousand different directions of what situations SHOULD be like  or what I SHOULD think or want. So, how do I know what I want is what I, me, myself wants, or what I am pushed to want or what is realistic and what is unattainable.  Damn those romantic movies, love songs on the radio and ALL of  Disney!!! When you wish upon a star, it doesn't ALWAYS come true.

I see elderly couple that are still madly in love with one another. They still flirt and hold hands HOW DID THEY KNOW??? I see young couples with a small baby madly in love with one another HOW DID THEY KNOW??? I see couples of all shapes, sizes, races, sexual orientations, and religions in love with one another. How did they know that THIS  person is ‘the one’. How did they know that THIS PERSON would make them happy for the rest of their lives, through thick and thin? Perhaps that is what dating is for…but one could spend YEARS with a person that they aren’t meant to be with….or perhaps are,  and break it off because they don’t see the greatness they have before them. Have I messed up my life?

"When you look into her eyes, you know what kind of man you wanna be."
from movie, "Spiderman" <I WANT TO BE THIS GIRL>…is that hopeless and will i recognize it once i have it?

Hopeless romantic…or romantically hopeless? I don’t know. But I do know this was all totally cliché.